Start at the source you here this all the time. You hear this all the time, in books, on the web, when you talk to professional recording engineers and producers. However, how many times have you had the band all there, you put up the mics quickly, press record and hope for the best. Go ahead admit it, we've all done it. There are many times when this is the only you're going to get anything recorded.
Knowing this is the case it's important to make sure that you plan your recording sessions in advance, I know I say that a lot but it's true. Plan where you think the instruments will be placed, plan which mic you will use on which source. Spend some time thinking about how you want to place the mic. You can't know exactly how a certain instrument will sound on a certain song, on a certain day, but you can have a starting position.
A great source for this sort of information is Bobby Owsinski's book The Recording Engineer's Handbook. This book shows you (yeah, you don't even have to read) how to mic numerous sources. Now the mic techniques in the book aren't the most fancy or creative, but you know that you'll get a sound that's usable. And with just a bit of tweaking you can fine tune it.
Being in the ballpark is the goal, no one has an entire month these days to get the perfect snare sound. Getting the sound as close to what the finished product should sound like at the source, in the shortest time is our goal. So pay attention to this critical first link in the recording chain. Use you ears, make great music. And as always don't forget to have fun doing it. - Wizard
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